Author: Natalia Isayeva
Publisher: Sri Satguru Publications
Year: 1997
Language: English
Pages: 207
ISBN/UPC (if available): 817030556X
Description
This book deals with one of the most interesting periods in the development of Indian religious and philosophical traditions. Starting with the teaching of the protovedantist philosopher Gaudapada, the then analyzing the ideas of his famous contemporary, the grammarian Bhartrhari, the author suggests an entirely new approach to the whole history of Vedanta. Gaudapada and Bhartrhari are presented as founders of an independent trend with in Indian orthodox philosophy, a trend that culminates later in the theistic tenets of Kashmir Shaivism.
Isayeva shows that, in contrast to Sankara, early vedantist philosophers regarded the higher Brahman as a kind of continuous reverberation of a peculiar phonic energy that was ever producing the same constantly renewable structures and patterns of the universe. This idea found its continuation in the metaphysical and aesthetical concepts of Abhinavagupta, where the ultimate ontological reality is manifested through the rhythmical outbursts of God’s creative power. The relationship between Gaudapada, Bhartrhari, and Shankara has never been given the in-depth exploration that Isayeva offers.
Her analysis demonstrates a major continuity of thought from Gaudapada through Bhartrhari to Abhinavagupta and Kashmir Shaivism, a line hinted at by others but never analyzed in depth. Reading this book led to several aha moments for me, as hunches I have had for many years were given detailed analysis and confirmation. But my eyes were opened as well to a new way of seeing the development of Indian philosophy during the crucial period of 500-1000 A D. The author’s bringing together of Gaudapada and Bhartrhari is a major step forward in scholarship.
Contents
ACKNOWLEDGMENTS
INTRODUCTION
NOTE ON SOURCES
PART I: GAUDAPADA: THE MIND AND THE COSMOS: REFLECTION OR
PROTOTYPE?
1. Gaudapada: Life and Works
2. Mandukya-karika: The Gradations of Consciousness
3. Mandukya-Karika: The Illusory World and the Problem of Creation
4. Mandukya-Karika: The Shimmering of Cosmos
PART II: BHARTRHARI: SPEECH AND THE WORLD: CREATION OR EXPRESSION?
5. Bhartrhari
6. Vakya-padiya
7. Manifestations of Speech
8. Language and Being
9. The Structure of the Universe and the Place of Man
PART III: FURTHER DEVELOPMENT: THE INTERPLAY OF ENERGIES AND ARTISTIC CREATION
10. Early Vedanta and Kashmir Saivism
11. The Concept of Energies: Neoplatonist and Hesychast Parallels
12. Abhinavagupta’s Aesthetics
THE NAME AN D THE VOICE: SOME CONCLUDING UNSCIENTIFIC REMARKS
INDEX